Tuesday, January 11, 2011

Design, Part 4


Coming Up Rosy
Original oil painting 18x24"
by Susan Roux


Just as I was pondering possibilities on how to adjust my painting, a special phone call came in. It was from the master himself, Don Hatfield. He offered helpful suggestions. Don't you just love a good critique? I embrace them. A non-biased opinion that recognizes your achievements and gives good advice on how to make your painting stronger. Good points and bad points, strengths and weaknesses are welcomed bits of information.

Having heard someone's opinion shouldn't mean that you jump right in adjusting what you've been told. After all it's still your painting and you make the final decisions on what actually gets changed and adjusted. Don pointed out the lawn edge. "Have the landscapers come in, cut out a corner of the driveway, put down new soil and plant more grass." Curving the lawn to draw in the viewer more gently seemed a very good suggestion. It doesn't remove it as a pointer, just swirls you in for a softer approach.

Softness. It seemed to be the overlying feeling of this painting. I'd been extremely cautious to keep my roses soft and after talking to Don, I began to notice other places that could use softening. I also found the entire painting too cool. I went in with yellows. I hit some of my flowers. I hit some of my leaves. (Key word here is some) I warmed the driveway and curved it in loosing the hard line at it's edge. I liked what it did to the painting. Softening that line just added to the softness of my blossoms. I proceeded to soften the tree shadow and the bottom of the brick wall.

I'm very pleased with this painting. I have to admit, it became somewhat of a scary thing to do it this way in front of you. I was really exposing my thought process. What if it all fell apart? I tried to ignore that crippling voice. I can do this, I told myself. I pushed on. I wouldn't accept mediocrity.


I was happy with the play in my roses. Using a variety of colors, as explained in Part 3, really helped this to happen. Some blossoms are left in shadow, others catch the light brightly, while still others are in softer sunlight. I was able to regain my focal point to the roses easily by adding lighter yellows. I also, ever so slightly, punched the darks around one blossom.

Thanks for bearing with me as I shared my journey through a painting with regards to design. Sticking to one original thought without wavering is essential for a strong design. Even when the paint begins to pull you in a different direction, as mine did in Part 3, don't let it win. Remember you're in charge of your painting. As I tell my students. You're in control of your painting even when you feel totally out of control! For beginners who struggle with brushstroke, this always gets a hardy chuckle. The decisions you make when choosing colors and where you apply them is uniquely your own. So take some time while painting to make good decisions and try to keep in mind, the power of design.

Thanks again, Don. You're such an amazing teacher...

35 comments:

  1. It was great to see how the painting came about. Thanks for sharing the entire process and your feelings too.

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  2. Thanks for taking us along on the journey! I've learned so much, particularly about persistence! It really IS a masterpiece. You should be so proud of this painting! I think it should be on the cover of an art magazine!

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  3. Susan, this is my all time favorite painting you've done. It's Beautiful!!
    Nora

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  4. Wow Susan..super painting. It has been fun watching your process and thoughts. Having someone to critique is so nice. I feel as if I am missing that these days. So I am learning to discern the problems on my own and try hard not to be too hard on myself. Nice work..I especially love the bits of yellow on the roses...

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  5. Really beautiful, Susan. I agree that softening the line along the edge of the lawn was really an good addition to the painting. Great job! And thanks for sharing your process.

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  6. I have loved you sharing your thoughts and steps. And, hope that you do it on "some" of your pieces again. (Key word here is some.)

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  7. Beautiful one, Susan. Love seeing your works in progress.

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  8. Don may be an amazing teacher, but you are an amazing artist, as well. I just love this painting, Susan. Makes me want to jump right into the canvas to smell the lovely flowers and bask in the sunshine. Great job. Susan

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  9. He gave you some really good advice. It's a lovely painting.
    You deserve great credit for the thoughtful changes you made. You manage to keep it fresh during each change. I find that such a hard thing to do.

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  10. This is so beautiful! But, I thought part 1 was beautiful! Thanks for sharing your thinking process as well as your painting.

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  11. Needless to say, this is vey nice! I bet it even looks better in person.

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  12. It's been a pleasure to be able to follow your process and thoughts through like this. I've been clicking back and forth between the last two iterations and love all the changes you made. The softening of the path was a great idea, and the inclusion of some warmer light makes it just perfect in my eyes. Beautiful painting, and an ideal scene. It'll be a showstopper wherever it hangs.

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  13. Susan, this is an amazingly inspiring and instructive set of postings--you are a super teacher, and I so wish we lived closer together so that I could be one of your students! I will come back to study your design, development, and revision processes again in more detail. The finished painting (which looked fantastic at the end of the previous step) has become even more lovely and--you are right!--has recaptured the vitality of the original concept. I am delighted to have found your blog--WAY above average--via your comment on Sherry's (Autumn Leaves).

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  14. Susan, This was wonderful to see the process and enjoyed learning with you. Beautiful painting! Just lovely and the changes you made were perfect.

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  15. I very much enjoyed seeing the progression and reading your process too. I love the changes you made in the end. Fabulous! It is a "rich" painting. That shadow on the farthest wall is FABU. Love it all--!

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  16. Yes indeed! Part 4 pleases me more than number 3. Softness...

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  17. Je pense ma Chère Susan que Don t'a éclairée sur certains points, mais ta sensibilité,ton ressenti et ton expérience ont fait le reste...
    Le tout... une oeuvre superbe. Tu peux en être fière.
    Gros bisous

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  18. Susan, it is a lovely painting. I love the sense of light kissing the flowers, the play of light and shadow on the house. Thanks for sharing your thoughts and process.

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  19. You did such a great job of explaining your process. The painting is fabulous. This should be featured in a magazine - your instructions have more depth and guidance than most.

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  20. All of this I can relate to writing--what is nice is learning your words and wondering what you do to get where you are. When you said softening--it made me wonder how?
    The painting is beautiful!

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  21. Nice scene Susan. You did an especially nice job with the shadows. Makes me want to get back to gardening!

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  22. Such an interesting and instructive read... Thanks so much, Susan...
    I also like the bit about making up your own mind about accepting suggestions or not. Even when an instructor you admire makes suggestions (what a blessing) you always know the painting is YOURS!

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  23. So pretty, so soft - beautiful! I love the shadow work in your pieces (can almost feel that sun as well as the cool shade).

    A great read also!!

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  24. fantastic series of photos. i love seeing work in progress like this. thanks for sharing this

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  25. Gorgeous painting. Love the softness and the colors!!

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  26. Susan this is such a beautiful setting and so well painted. I really like Don's suggestion of rounding the drive, it does draw the viewer in nicely. The shadow under the overhanging roses is important in making the lights of the top roses sing. Your warming of the colours worked well and makes this a very inviting painting, making me want to be there. Thanks for sharing your process. Each painting is a journey and with each one we learn, but when we can learn from each other it's even better

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  27. lovely painting, and great the way you documented the progression, and the thought process behind it.... so soft and restful !!

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  28. Susan, your painting looks beautiful! :-)

    God bless you :-)

    ~Ron

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  29. Hello Susan, excelent process, beautiful painting!
    Thanks for your comments in my blog.
    Congratulations!

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  30. Absolutely fantastic!. The atmosphere is so romantic. A job of a great sensitivity. Congratulations. Thanks for sharing the interesting process.
    Hugs

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  31. The painting is gorgeous! Thank you for sharing your work in progress, I learned a lot.

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  32. Susan, thank you so much for showing us your painting process, it was very instructive, and the result is amazing

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  33. Hi Susan--Nice to meet you. That call out of just the roses blew me away--awesome. Thanks for the lesson. Until the future, Wm

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  34. Susan, It's a wonderful painting, extremely complicated. I have so enjoyed your four posts on this project which are as in depth as your fab. artwork. Thank you for directing me to it.

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