Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Wednesday, January 4, 2012

Art direction?


Floral Emotion
Original Oil Painting  12x30" gallery wrap canvas
by Susan Roux

Where is your art going this year? Will it be taking a different direction? Will you try new techniques or work on perfecting your current ones?

With all the talk of New Year's resolutions and dreams for the year, I have trouble not focusing on my art when answering. January of last year marked the birth of my girls at the beach with simplified backgrounds. It seems as though I've been working on them much longer. When I began, I wanted to play with pale shadows that still read like shadow. I've tried to hold that as part of my focus, but also delving into developing fundamentals.

I'm certain you recall me using words like painstakingly. Trying to improve our painting habits is never an easy plight. We become comfortable doing certain things and it's easy to continue to repeat them. Forcing your brain to think differently, apply the paint differently and try to have a result that doesn't look like you spent too much time "thinking" in the first place can be a very painstaking act. I speak to you from experience. 

Personally I'm drawn to great paintings that offer a balance of creativity, meaning that pure emotional spontaneity, with perfectly executed fundamentals. When these two dance on canvas poetically it's difficult to look away. I'm drawn to surprises. That creative use of color, unexpected in its location, yet working beautifully to unify the composition. A harmony that leaves something to the imagination and elevates the viewer to drift and dream. 

As you can see I set my goals high and I still have a long way to go to achieve them.

Working on fundamentals engages the brain. Spontaneity and gut reactions go out the door. Focusing for a full year on these has helped me develop, but a fear of being unable to shut my brain down grew. What if I can't access that creative side again? What if I want to analyze every stroke all the time? I'm striving for a balance of the two. How will this be possible?

The holidays presented me with very little time to paint. I'm certain you can relate to that or at lease to the growing desire to just pick up a brush when time doesn't allow it. The feeling became so great that one day I just exploded on canvas! I didn't want to think. I didn't want to follow any rules. I just wanted to paint!

And so I did. 


The painting posted is pure emotion pouring on canvas. Oh how it felt good! I look at it now and want to return to it to define some element more. Pick a cluster of flowers, maybe just one flower, and give it a bit more attention. I know it doesn't resemble my other work. That's ok. I could go back and define it, but I want to keep it as is. It'll be good to hang in the studio as a reminder that my creative side is not dead and can still be accessed. Now I can relax and continue in my development of fundamentals. 

Something inside still drives me. My work feels cut out for the new year. My direction is clear. Develop the fundamentals further and begin to allow the creative side to dance with it. Somewhere between my girls at the beach and this emotional outburst lies the place I'm headed. 

So I ask again. Where are you headed with regards to your art this year?

Saturday, April 16, 2011

Simplifying fundamentals


Jennifer's Road (sold)
Original oil painting 14x18"
by Susan Roux

As you probably know, I teach a beginners oil painting class. It's always a challenge to take someone who hasn't painted, often doesn't even draw, and in eight 2-hour sessions get them to paint something they are amazed they produced. Many students are so elated they continue to take classes beyond the initial 8 weeks.

How do I get them to do this?

I begin with a series of exercises. It gives them time to get used to the tools of the trade, mix color, blend color and it also gives us an introduction to the words of our craft. A new language emerges and with it a new way of looking at things. By week two they come to class hyped up and energized telling me of all the colors they noticed in the world that they never saw before. It's almost hard to keep them down in their seats to continue with the day's task. It's like giving sight to someone for the first time. They are overwhelmed at all they've been missing over the years.

Rather than just tell you how amazing my students are, I decided to show you. The above painting is my demo. During five of the eight sessions we work on one painting. I go through step by step along with them, explaining the why behind what we are doing. That way a student learns how to paint rather than just copy what I'm showing them. I love to let students explore on their own, emphasizing that impulse shouldn't be ignored. If you feel like dipping your brush in red, then by all means do it!

Art is a journey in creativity. We all know that. But without knowledge of fundamentals, it can be a frustrating journey. I work very hard with my students to explain in simple terms the necessary elements that will help them achieve what they seek. In landscapes there exists distance. Not only on the land but also in the sky. Turning that 2-demential canvas into a seemingly 3-demential space is a powerful tool.

This is the achievement of a beginner student. Look at the depth, the sun and shadow play and the textures she achieved! A beginner during ten hours of class time. Isn't that incredible?

I've often been asked why I give such a complicated scene to a beginner. Just getting the perspective on this curved road can be a full session to someone who can't draw. I'm not sure why I pick complicated scenes. Maybe I like the challenge. Maybe I know I can pull them through it. Oh, how I love to amaze them by exposing their ability! Simplify, simplify, simplify. The simpler I can explain something, the easier it is for them to achieve it.

When I first hand my students the image we'll be painting, I can see the look on their faces thinking there's no way I can paint this! But by final class, all of the students rejoice at the sight of their work. (To be fair, her photo is quite inferior and the richness in color isn't apparent.) Not only are they able to paint the scene from the lesson, they often surprise me with works they attempt on their own.

Kasey sent me this image. She started it part way through her 8 sessions and completed it afterwards. She spoke of it, but never brought it into class. Just look at the distance she created in her river scene! And to think she's just beginning to paint...

I'm very proud of you Kasey.

I don't have photos from the other students in the class, but if I did their work would amaze you too. Teaching the fundamentals in simplified form has yielded phenomenal results, even in pure beginners.

How are your fundamentals? Are you in need of understanding them in simple form?

Thursday, March 17, 2011

Spring


Saint Patrick's Mountain, Ireland
Original oil painting 16x20"
by Susan Roux

What are you up to lately?

I feel the effects of spring. New things are emerging all around. Have you noticed? The art world is winding up for the approaching season. Announcements for artist's opportunities flood in. Calls for artists, exhibition announcements, openings, workshops, art talks and art walks to name but a few. Here in the North Country the art world is coming out of hibernation.

It may be the only thing sprouting these days as we are still under knee-deep snow... (Hum, that sounded like a frog croaking, but they can't be heard yet either.)

To the artist, spring isn't measured by the snow on the front lawn. A real shift in activity happens this time of year. Following the holidays, life in Maine is a real treasure for the artist. Ahh, the heart of winter. It's a time to delve deep into your own creativity. The winter cold keeps us shut in. The wood stoves crank and the smell and warmth of the burning logs only help relax us to tap into our creative juices. It's a welcomed time. Time to immerse ourselves into experimentation. Time to slosh paint around. Time to play and create. Winter is long and it seems that time passes slowly and that this playground of creativity will last forever.

But it doesn't.

The spring announcements can't be ignored. Artist's hibernation is over and it's time to hop, hop, hop to. Galleries will want art soon. Paintings need to be framed. First frames need to be ordered. Wondering. Worrying sets in. Did I paint enough this winter to supply everyone? Do I have enough worthy pieces? How did it get to be the middle of March without my taking closer inventory of my winter's work?

This never used to happen. I was so tuned into painting for my galleries, that I knew exactly what I had prepared for them. But as the years passed, I found my art was better when I wasn't consciously painting for my galleries. I needed to be painting for me. And so it has been lately. No regard to my galleries as I create. I figured if I paint constantly, there will be ample inventory for everyone. But is there? Is there? Is there?

It's my fear.

Well before it's time for spring clean-up in the flower beds, it will be time for spring clean-up in the studio. I've taken on a new gallery this year and perhaps it's the reason for my anxiety. One more little baby to feed... How I hate to pull myself away from the easel to go count and sort canvases, take inventory on frames and what needs to be ordered. It feels like a transition from the carefree feeling of childhood to the responsibility of adulthood. Like Holden Caulfield I'm not ready to take the leap. I just want to keep playing.

Painting for myself has been far more relaxing than painting for my galleries. I just want to ignore the signs of spring, beckoning me to switch gears and hustle, and crawl back into my hole (behind my easel) and remain in hibernation bliss...

Happy Saint Paddy's Day everyone!

Posted: Saint Patrick's Mountain, Ireland was painted a year ago following an amazing 2-week trip to Ireland. It was actually autumn, but seemed fitting for the day...

Friday, August 20, 2010

Toby and Leslie


Toby and Leslie
Original oil painting 20x16"
by Susan Roux

I can't tell you the amount of hours I put in this painting. Rest assured I was elated when I laid down my final strokes! I couldn't help but think of Carol Nelson who blogged awhile back, 100 portraits in 100 days. I'm impressed at all of you who post a daily painting. Not only are you completing a painting every day, but also taking time to blog about it. We can't all keep up that pace... Its very admirable that you do. I tip my hat to you.

I had days where I spent every moment from early morning to suppertime planted in front of my easel. My focus was so intense that every time I did this, the following day I needed to rest. It was as though my brain was empty, almost in a haze, and my spirit and energy were drained. I suppose I was really pushing myself...

Wednesday, when all my students saw it nearly done, they were baffled that I wasn't enthused with it. I didn't like the feeling it had. I wanted to capture the sense of love/admiration and all I had managed was the look of porcelain dolls. After I completed the faces, I worked with the background and succeeded a bit in capturing that emotion I wanted. Yes the colors are better in life and the feeling more apparent too.

I learned so much doing this piece. I started off expecting to spend a few days on it as an exercise and move on. As you know, that didn't happen. I hope to capture my next portrait quicker so a bit more of a painterly look will remain. The day I worked on smoothing out my color transitions to soften Leslie's features, is the day the porcelain feeling appeared. There must be a way of painting it soft without turning them to ceramic. My next subject will be a single head.

As I look at it this morning, I am kind of amazed I was able to accomplish this. Suddenly a separation from it, no longer being my lingering job, allows me to have a different perspective. Don, thanks for all your help. Even telling me to start over, though it was the last thing I wanted to hear at the moment.

I may take a few days to go paint in plein air before settling down to a new face....

Toby is my husbands son. He plays guitar in a rising band called Sparks the Rescue. He's toured the country many times and also toured in Europe. Recently they took part in the exhausting Warped Tour, where more than 70 bands played. They have a video that airs on MTV called We Love Like Vampires. You can view it at their official site by clicking their name. Please let me know if your children may have heard of them...

Enjoy your day creatively!

Wednesday, April 14, 2010

Warm soil



The sun shines and the green carpet is laid outside my front door. The lawn is nearing its first "mow" of the season. How lush and inviting it is.

Creativity surges through my veins. It bubbles and excites. The yellow daffodils radiate tall above the dense patches of blue snow glories. Large tulip buttons rise and await their turn for center stage. Such beauty. The colors of the garden intermingle like the colors of a painting. Spring is calling. Its calling me out. I want to go play in the dirt...

Its a great time to rearrange perennials. As they pop out of the ground, memories of last summer's garden flood my mind. The blossoms. The colors. The spectacular dance of changes, as new flowers bloom and others fade. The garden can change color totally in the process. As I watch each new plant emerge from the warm soil, I remember its unique presence and gift to the garden.

Some plants have grown taller than expected and block delicate others. Beautiful, hidden plants should be moved. The excitement of rearranging urges me forward. Its the creativity of the process. Like sculpting an unseen item. The imagination is what leads. Imagining height, color and blooming time. Rearranging is the creation. The outcome is the show. The show of scented color that will continue to come until autumn's frost. But now, frost is far from my mind. Warm sun takes over.

I have many flower gardens. They are all around my home in unusual ameba-shapes that inspire asymmetry. Like wondering, exciting sprawls rising out of the green carpet. They seduce me...

I succumb.

Some plants will be switched to different beds. The shuffle begins. One large spring effort gives way to a summer season of pause and enjoyment, viewed from the pleasure of my garden bench. Sitting there in the afternoon sun, filling my lungs with sweet perfume, makes me thankful for all I've been given in this world. In nature I feel closest to God. What wonderful creations He has made! And he shares it all...

Its good we're sharing our gifts, our talents and our support. It makes God smile down on us. And that's always a good thing...

Wednesday, April 7, 2010

On the go


Work in progress
by Susan Roux

I just returned from visiting my sister and I leave again on Friday to see my college son, who's turning 21. I am "Susan on the go" these days! I'm here. I'm there. I'm everywhere!

Eventually I'll plant my feet back on the ground, but that may not be until the end of April... Spring is here and I've sprung in all directions!

So please bare with me as I trot around. I'll try to stop in as often as I can...

My paintbrushes miss me. My hands ache to hold them. I haven't painted since my last class, Thursday night. At these moments, thank goodness for painting class. Otherwise I probably wouldn't get to paint at all.

Maybe today I'll indulge in some personal, playful painting time. My spirit could use it... (Plus Mike was such a dear and did all the laundry while I was away! Thanks Babe. You're awesome!) It may have created space for some much needed "Susan-time"...

Do you recognize the painting posted? It changes so much with each painting session. The direction I'm going with it, is also changing. The blue patches of underpainting in the foreground look odd and out of place in this photograph, but they really compliment the painting in real life. I've decided to keep them. Its been a challenge, because trees pass all along the front of the building. I'd planned to paint them in. But now if I want to keep the blue patches, I need to abandon that thought. I spent much time last session trying to decide how I would alter my composition mid-stream. That can be a recipe for disaster!

Tonight we continue.

There's a traditional weathervane that rises above the existing pinnacle of the building. I think its important to the composition. It will help set dominance. Warm light will need to find its way into the sky. Currently we have a warm light/cool light situation happening here. Seeing we only have one sun, the same light that drapes itself on the landscape is also present in the sky. It came as an unpleasant surprise to my students when I announced that we would be returning into our sky's...

Luckily the paintings are all dry. Returning to painted areas need not be scary. Any additional strokes, if unwanted, can be easily removed with the magic eraser, mineral spirits! I have no doubt they'll be able to adjust their sky's to the correct light quite easily.

The thought of painting energizes me.

Happy painting all of you wonderful artists! May you find time in your busy lives to nourish your own spirit. As Spring pops and the temperature warms, let yourself flourish with creativity and color.

I sense amazing works will be popping up everywhere...

Sunday, March 7, 2010

Busy



Life gets busy. Too many things going on. Too many things distracting us, pulling us away from our creativity. How do you cope with all the distractions?

My "daily posts" are no longer daily.

As I visit your wonderful inspiring blogs, I find I'm not alone in this dilemma. Life is a reality and creative people not only juggle the usual things, job, family, house, we also juggle creative time. The crazy thing about "creative time" is you need to clear your head, of everything else, to perform it. That can often be a challenge!

I leave Wednesday for a week in Florida. My posts will cease for that time. I hope to return fresh and energized. Sometimes we just need to step back for awhile and recharge our batteries. Get off that merry-go-round and take a deep breath...

Spring is popping. Life is emerging all around us. Flowers want to peek out. Its a titillating time for artists. If you can't get a break from life, allow yourself a break. Don't beat yourself up if you need some time to step back a bit. Its ok if you scale back some of your self proclaimed demands. I know as artists, our motivation and drive is self driven. We learn to keep the engine running. What I'm saying is its ok to park the car once in awhile. Go enjoy spring's emergence. Allow yourself to get some fresh air.

Breath deeply and absorb the relaxation...

My guess is you'll be very ready to return to your creativity. When you do, the break you took will benefit your outcome. If you're feeling a bit burnt, don't wait until you're completely burned out before you stop. Remember to take care of yourself.

This may be my last post until the 18 or 19. Smile, be happy and most of all, be kind to yourself. See you in 10-12 days. Enjoy life!


Posted (older work) Cloud Shadows on the Beach original oil painting 18x24" by Susan Roux

Friday, February 26, 2010

Reflections







Reflections.



Reflections of life. Reflections of the soul. Reflections of ancestry.

Reflections.

Copying, mimicking, wiggling like echos. Like echos reverberating over and over, quietly without sound. Reflections...

Like recollections in your memory. Like a mirror. Recalling a moment, an idea, an image. Calmly silent.

Add water and like adding music, these quiet images dance in a harmonious symphony! Movement in full color explodes rhythmically. Nature presents us with such marvelous sights.
So marvelous I can't resist painting them...

My "children at the beach" all play in wiggling color. Beauty, energy and innocence combine to capture the reflections of my youth. Could this be my attraction to painting this series? A blur of the past. A carefree time, joyfully playing, mud sculpting and swimming in a world of vivid color unblemished by unkind realities.

The mind wanders. In creativity the soul is exposed on canvas. Secrets are revealed. Tenderness, excitement, boldness and sensitivity surface.

Perhaps all art is a reflection of its creator. It becomes impossible to hide. Its the nature of true creativity. What are you reflecting? What are you revealing about yourself? What are the subjects and colors you use to express it best? Would you pick the same colors today as you would tomorrow if your mood changed?

Think about it.

Reflections... are they echoing you?


Posted work in progress by Susan Roux

Tuesday, February 16, 2010

"On" switch


Work in progress
by Susan Roux


Oh my gosh! I've been granted the Sunshine Award again!!!

Thank you Claire Kayser. I never expected that. I won't go through the whole process of giving it again since I did it less than 2 weeks ago and my choices would be the same...


Here were my choices.
I would also like to direct you to Don Gray's paintings. I missed him last time around...


I've been experimenting with my art lately. Posted is an unfinished scene from Cape Cod. I like the direction its going in, but I must say I struggled with it. I'm not happy with the front grasses and will be returning to fix them. While overworking the area, my colors turned muddy. Better to let it rest at this point...

Funny how some paintings just seem to paint themselves and others... well, they don't.

My plan is to paint again today. There's good energy circling around pushing me it this direction. So much so, it has pulled me away from blogging daily, as I can't seem to leave my studio! I'm not fighting it. I love the feeling and I know all you faithful readers will understand. Sometimes we are not in control of our creativity. It doesn't come with an on off switch!

I hope your non-existing switch is stuck on "on" too! Its great at helping the cabin fever months pass quicker. On that note, February is better than half way through.

You know what comes next?

Who said spring? Here in Maine, its "mud season"!

Friday, February 12, 2010

The response


Seagull Box-Trot
Original oil painting, older sold work
by Susan Roux


"Different styles of art just appeal to collectors with different taste." Thank you for that Nora Kasten. I think its what I needed to hear.

I'm responding to yesterday's post, Art revelation. If you're just stumbling upon this page, you may want to go read it first.

Yesterday's dilemma spun around in my head all day. It choked my enthusiasm to paint. Good thing I had two classes to teach so it wasn't abandoned all together. It isn't fun when something can frazzle you so much. It was comforting to receive your comments throughout the day. Thank you for that. It gave me energy and supported what I was already feeling. Staying true to yourself!

Brian Blacknick's response, "If I had to keep on creating the same type of piece over and over again, I'd soon begin to hate it." sums up my feelings. I know there are artists who do paint similar things over and over and I can clearly see how they would get caught in this situation of not being able to change. But I don't find that true of myself. I've never molded myself into anything further than, "if its nature I paint it". Even with that, I've broken the rule...

I do admit, over time there has been a big declining change in my sales. So I can't help but question myself. Is it the economy, or is it about my art? I almost wish I had painted the same thing over and over. It would make it easier to understand what changed. Honestly, I find it hard to put my finger on it. I've just been painting all along...

Trying to analyze it can be so exhausting. I'd rather spend my energy painting.

Jay Mercado of Open Drawer Art Store said, "...galleries need to be more engaged in the evolution of their artists." Yes, in a perfect world. Martine-Alison called it a "ferocious world"! I appreciated your unified message of continued artist's growth. I chuckled at your suggestions on how to handle it within society. Everything from signing a different name to your experimental works to finding different galleries to carry it.

The more my blood boils over this, the more I want to go paint something so totally out of my norm! Maybe I should pull out the biggest canvas I have and go wild with color! Release all this negative energy which is bogging me down...

I don't live my life as a "break the rules" type of person, but right now, its all I want to do!

I'll close with Jay's quote. "Perhaps an increased understanding of the nature of creativity would make certain galleries less of a slave to what has sold and more of a champion for new work."

Beautiful!

Friday, January 22, 2010

Splashing color




Do you ever wake up and feel your creative energy surging? I'm hardly awake, still sipping my coffee, and I can tell its going to be a painting day. I have this urge to yank off my bulky bathrobe and run downstairs to my studio and splash color around!

I've been seriously immersed in my children at the beach series. I'm feeling the pending deadlines for delivery, though they're several months away. I hope to shed that feeling and just let my creativity flow. Ever notice how your work can change when you think about it too much or put some special expectations on yourself? Maybe that's why I'm painting like a mad woman lately. I don't want the approaching deadlines to affect my work. I want to be prepared in advanced!

That could be high hopes...

I have five canvases in the drying stage and I'm dying to jump back in! Being patient until they're set to my liking is proving to be difficult. I look at all my splashed color and it stimulates me. Lately I laugh at the evolution my work is taking. My process is starting out so wild, uninhibited and abstract. Much like the little children I'm painting. At some point I need to pull it all together and calm things down. Its as though I need to stop playing like a kid and start being the responsible adult!

Don't you hate that?

I'm posting images of both stages and you'll laugh at what I'm telling you. Funny how while painting the subject, I'm becoming my subject. Didn't they tell us this in art school? Or was that for acting? "Don't paint the tree. Be the tree..." Honestly being the "child" seems much easier to do.

Yesterday I sketched another. My thought is if I have enough of them in progress, at least one will be dry enough to continue... My studio space suffers from it, but my creative energy is exploding!

I wish you explosive creativity today. Be like a child and have fun splashing color around! Much like exercise, your energy level will rise...

Tap onto that joy in your heart and let it pour out of you!

Posted:
Making Ripples 20x10" original oil painting by Susan Roux
Untitled work in progress 20x10"