Art talk

I flew down to the Cape this past weekend. Well not literally, but almost with the way traffic flows. It took four hours to our hotel on Cape Cod and another half hour or so to the Blue Heron Gallery. Its end of the season and time to pick up any unsold art. Sadly there were a lot to pick up. Sales continue to be a struggle, not only for me, but for all the artists in the gallery.

I traveled with my friend Sandy. Conversation through two days of driving was stimulating to say the least. I don't know what it is with Sandy and me, but get us together and we discuss art, our goals and desires deeper than with anyone else I know.

I think it has to do with the questions she poses.

Sandy lives an hour away and is an elementary school art teacher. (Those lucky kids. She really teaches them a great foundation!) Consequently we don't get to see each other frequently. Conversation always starts with, What have you been painting lately? ...but goes much further. Short term goals. Long term goals. How have they changed since we last talked about them? Why have they changed? Desires to travel to different places to paint. Workshops. Workshops you need to travel to. Sandy would love to take one in Scottsdale, AZ. She tried to talk me into joining her, but my desires lie somewhere else.

We both expressed a feeling of being on the brink of something very good and wishing we had time to just paint without the typical responsibilities of life. For myself, its as though a deeper understanding of what I'm trying to do with paint is circling in my head. I feel if I had the time to devote to it, I'd create something at a higher level than my usual. It all makes sense in my brain. I just need to make my paintbrush do it! I talked about wishing I was on an art retreat. Nothing to block my mind, just there to paint. Somehow I'm sure something would break through and emerge from within.

We wished we were painting.

All this talk about our desires, yet stuck in the car...

Wouldn't it be great if at the end of our drive we would be on a painting retreat? Our suppressed desire to paint would burst out on canvas! Why don't we rent a house during February school vacation and do just that? Paint without interruption. We wouldn't even have to go far. Stay in Maine and paint indoors. Just be out of our homes so laundry, cleaning and errands are far from our minds. Paint. Paint all day and keep each other stimulated with conversation. What a great idea!

After returning home, I scoured the internet in search of the perfect "home" to do this at. I think I found it. It has four bedrooms, so we need to get two other artists on board. I don't think that'll be hard to do.

The house in question is on the ocean with lots of windows for good light. There's plenty of room to set up easels everywhere. The plan is to bring drop cloths and paint our brains out! Well its not really our brains we want to pour out, more out hearts, but you get the idea...

Karen Choquet laughed when I invited her to join us. "You're always up to something, aren't you?"

Oh, for certain!

(Posted are a few of the tiny 4x4" paintings I did for the November art show.)

Spending time with Nora

Back from another workshop.

Nora Kasten asked me to join her at the Stapleton Kearns workshop. So off I was, for a long weekend on beautiful Mount Desert Island, Maine. You may be familiar with it by other names, such us Bar Harbor or Acadia National Park. We stayed in a lovely Inn on the ocean.

It was hard to take...

Seeing Nora again was wonderful. Our time together will remain precious in my memories. Next week I'll be seeing her again in Boothbay, where I intend to go paint. There is also the possibility of meeting up with English artist, Karl Terry.

The first day of the workshop was dotted with sunshine and we set up on coastal rocks at Otter Cliffs.

Stapleton emphasized the importance of design. His grand message to us was, without good design, no amount of rendering will save your painting. I returned home with ashes in my easel and the echoing thought that the finished "picture" we create is what is important. Not recreating everything that is at our location. Plein air painting is about altering and adjusting elements and values to create a picture which holds the character of the place, but not necessarily documents it as is. Though I know this, it often eludes me while out there chasing the light.

We were a wonderful group of serious artists. Ten of us in all. Its always a pleasure to meet and socialize with others who share our passion. Pictured is James Cook taking close observation to the subtle nuinces in values on Stapleton's unfinished painting. He had worked this demo during the course of two days, to show us a further evolved work. Stapleton didn't find it necessary to produce a finished product in a few hours, that I find typical for plein air artists. It was interesting to see a different, slower approach. For him, its all about the finished painting and he confessed to completing them all in his studio. He doesn't categorize himself as a plein air painter for this reason, though he frequently works on location. Patty Meglio covers the workshop story in greater detail, if you're interested in reading more.

Our weather was mostly gray. Fortunately I found the sun peeking in and out on the morning of my return. I took advantage of a photo shoot before leaving. Gardens and grand porches had been catching my eye as I drove by them, daily. The workshop spanned long hours and with morning fog and late afternoon mist, I never had to opportunity to photograph anything en route. I pleasured in taking my time and absorbing the beauty...

Note: Friday evening I attended the Luka Bloom concert where I presented him with the painting. As you predicted, he was very pleased. He hopped up out of his seat after looking at it with amazement, to give me a grand hug. How can you beat that?

Another artist visits

Magical Garden

Original oil painting 16x20"

by Susan Roux

Nora Kasten is coming to Maine.

I'm so excited! Like you, I met Nora through blogging. This past March, I visited her during my vacation to Florida. My husband and I melted at the sight of all her romantic paintings hanging throughout her house. There's nothing quite like viewing the actual art, is there? Our visit was wonderful and too short.

Nora contacted me recently and asked if I would join her for Stapleton Kearns' workshop. It will be held in Bass Harbor, Maine. We're talking tip of Mount Desert Island (Bar Harbor). Rocky coast and crashing waves. Its a plein air workshop and should be very interesting since I've never painted the ocean up-close in plein air. Not only are we dealing with the ever changing light issues, those waves don't stand still for a moment! Don't even talk to me about the tide change.

I see a challenge in my future...

Of course I said yes. Who wouldn't? Not only will I get a grand dose of Stapleton's knowledge, I'll also get to paint with Nora. Unbelievable...

Please come early so I can sit and watch you paint those magnificent roses. I'll gladly buy you a whole bouquet!

Its been an exciting summer of artists visitors for me. Three weeks of Martine-Alison, over a week with Don Hatfield and now, who knows how long, with Nora Kasten. I'm so blessed to have all you wonderful people in my life. Blogging has been a gift. I can't think of an easier way to network with and among our peers throughout the world. There's a comfort we build here. A trust. Not only are we revealing ourselves through our art, our words cover pages and pages, helping us understand each other. So many similarities exist in our thought process as we continue this art journey we're on. Friendships grow and blossom.

Go meet each other. I've repeated this over and over. Host an artist in your home. You'll be so stimulated, you won't believe it! Are we unique? We sure are. But artists are also very similar. What are you afraid of? Invite someone. Who knows, you might just be so lucky as to have them accept...

Posted is one of four plein air paintings I submitted for approval in a local plein air exhibit at Gallery 5. Hopefully something of mine will make it into the show.

Booklets

Do you ever have brochures or booklets just jump out at you?

There they are. Staring you in the face. You can feel them tugging at you. Take me. Take me. Your arm leaps forward. You hesitate. It retracts. Your eye stays glued to the booklet. "Why would you be taking it?" you ask yourself. "These are for tourist." Unable to turn away, you finally pick it up.

Have you had this happen to you? I have. Several times actually.

What happens next is the real story. You spend a few moments wondering why you even grabbed this information and almost convince yourself it wasn't there for you at all. And then it happens... It sends you in a completely different direction altogether.

Your mind wanders and begins to imagine possibilities. New possibilities. Your excited just thinking about them. The first time this happened I was in the grocery store and at the checkout I spotted a Cape Cod art gallery guide. This may not strike you as funny, but I'm in Maine and Cape Cod is not exactly close by. There was just one gallery guide tucked among the TV guides. Looking back now, I'm convinced it arrived here by accident. An accident with my name on it. This happened in 2001 and by 2002, after much research and many art packets later, I got into the Blue Heron Gallery. If I hadn't picked up that booklet, would I be there? Most likely not.

Don't avoid taking chances that can spin you around. Surprises await. New beginnings await. Most times its just a matter of taking that initial step. Picking up that booklet...

So Wednesday while waiting for my son to arrive at the airport, I stumbled across a whole stand of booklets. Yes, they are there for tourist. Well a few jumped out at me and I must say I didn't hesitate as long as I had years ago in the grocery store. One was of Blue Hill, Maine. I've never been and knew nothing about it. I may have heard the name, but one town or another, if you don't know it can mean nothing.

I quickly learned its the jutting chunk of land just south of Acadia where the popular picturesque Bar Harbor sits. Its a wonderful area, so why wouldn't the area south be as pretty? I don't suppose it wouldn't. Photos of lupines run through out the booklet. Next thing I know, I'm all over the internet looking for lodging during lupine season...

Wouldn't it be splendid to go paint the lovely purple spikes with the ocean in the background? Whole houses are for rent by the week for the price of a few nights in an inn. (Ha ha, just like in Ireland!) My first thought of going for a few nights quickly turned into wanting to go paint for the week! My second thought is do I want to invite other artists to come join me? You can get houses with various number of bedrooms...

Well I'm not sure how this will play out at the moment. But I can tell you I wouldn't even be considering this if I hadn't first picked up that booklet. Now I'm tingling with excitement at the thought of going on a painting holiday.

I hope you keep yourself open to new possibilities. Half the fun is never knowing what's waiting around the corner. Just as color can give you surprises on the canvas, a slight change in direction can place surprises in your life. Go surprise yourself!

Tuscany dreams

Do you dream of going places?

I do. The more I travel the more I want to travel. Europe has been my intrigue and with luck and a few dollars, I'll return again. My sights are on Tuscany next...

I was checking out some of my followers sites and came upon Roisin O'Farrell's post titled In a bit of a Jam! Love the title and the painting. In this post Roisin talks about artists bartering. I think its a very cool idea. She starts out with little things like jam for gesso boards and ends up with weekend stay's for paintings.

I'm all up for that one!

It's been in my mind to travel for art. How wonderful that would be! Last summer I was online searching for villas in Tuscany that might offer me a room if I painted their vineyards. I was even connected with a man in Italy who was assisting me in trying to find such a place. We were unsuccessful...

That doesn't mean such a thing doesn't exist. It also doesn't mean we can't make it happen. I do remember years ago a place in Bar Harbor, Maine would invite artists during pre-season to come stay for a week. The owners were busy preparing their establishment for the summer and they allowed artists to use an entire floor during this time. The artists were free to paint and the only charge was to donate a painting at the end of their stay.

It was perfect for all involved. The owners received beautiful original art to decorate their rooms, while the artists painted for free in amazing scenery! At the end of the week, the owners hosted an "art show" in the grand-room showcasing the artists work from the week. One artist would paint a beautiful painting at her leisure during the year to bring, so her room and board was accounted for upon arrival.

If artists started to offer such deals, do you think we could begin a trend?

It isn't a far cry from my artists hosting artists idea. I know this sort of thing could work. Maybe we should talk about this some more... I'd love your ideas on the matter?

Where do you want to go?